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	<title>BIKE STAND ART</title>
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	<description>Artful Street Furniture</description>
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		<title>THE BICYCLE REVOLUTION</title>
		<link>http://philsarazen.com/wordpress/?p=196</link>
		<comments>http://philsarazen.com/wordpress/?p=196#comments</comments>
		<pubDate>Thu, 13 May 2010 17:09:27 +0000</pubDate>
		<dc:creator>Phil Sarazen</dc:creator>
				<category><![CDATA[creative]]></category>
		<category><![CDATA[cycling]]></category>

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		<description><![CDATA[THE BICYCLE &#124;REVOLUTION
Above sculpture is patterned after sculpture in Chinese tomb, and follows Toronto’s size, functionality and safety guidelines
One must ask: Why should a bike stand be build that costs more than 90% of the bikes locked to it? It is because intelligent beautiful art can shift one’s focus; and it today’s world there’s a [...]]]></description>
			<content:encoded><![CDATA[<p>THE BICYCLE |REVOLUTION</p>
<p>Above sculpture is patterned after sculpture in Chinese tomb, and follows Toronto’s size, functionality and safety guidelines</p>
<p>One must ask: Why should a bike stand be build that costs more than 90% of the bikes locked to it? It is because intelligent beautiful art can shift one’s focus; and it today’s world there’s a desperate need for a shift in thinking towards environmental conservation. Danny Beaton, a First Nations Elder who won the 2010 National Aboriginal Achievement Award (NAAA) for protecting Aboriginal communities from environmental destruction, says “bicycles and oil are opposites”. The misuse of oil is the biggest threat to the environment.</p>
<p>William Thorsell, the CEO of the Royal Ontario Museum said the City should have “thousands more of these all over town”. He said it was a “liberating of the creativity’ in this City.  The ROM’s press conference celebrated and raised the status of the lowly bicycle; it was covered in four of the major daily papers and extensively on the Internet.</p>
<p>This art form has flowered in many cities in North America: Toronto, New York, Des Moines Iowa, Winnipeg, Ottawa.</p>
<p>Sculptures in LA, NY, Louisville</p>
<p><strong>History in Toronto</strong></p>
<p>Over the past 7 years, with the assistance of the art group at Parkdale Activity Recreation Center [PARC], a center for psychiatric survivors, we have placed 50 sculptures on the streets of Toronto. Support has come from all sectors: 3 BIAs, Toronto Arts Council, the City&#8217;s mural project [the Economic Development Corporation], the Royal Ontario Museum and the City which installs them free of charge on City property.</p>
<p>Bike stands in Parkdale</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong><strong> </strong></p>
<p><strong> </strong>Bike stands at Yonge and Lawrence. The three sculptures to the right designed by grade 5 students.<strong> </strong></p>
<p><strong> </strong></p>
<p><strong>The Royal Ontario Museum</strong></p>
<p>.</p>
<p><strong> </strong></p>
<p><strong>Letter of Reference </strong></p>
<p><strong>Charles C. Hill, Curator of Canadian Art, National Gallery of Canada </strong></p>
<p>TO WHOM IT MAY CONCERN</p>
<p>I have known Phil Sarazen for over thirty years and have followed his many projects with great interest and respect. He has developed into an accomplished artist and used his talents as a creative artistic director/producer. Some very creative and socially responsible national and international projects have been conceived and realized by him.</p>
<p>His work with musical sculptures, the Zoosemobiles, is original, community oriented, and captivates audiences of all ages. They have contributed greatly to the many festivals and parades they have been part of.</p>
<p>He is presently engaged in another new project, bike stand sculptures, and I know that he will develop this very public art form with all the respect and social commitment that characterize all his art works.</p>
<p>Yours truly,</p>
<p>Charles C. Hill</p>
<p>Curator of Canadian Art</p>
<p>Tel: (613) 990-0486</p>
<p>Fax: (613) 990-8689</p>
<p>E-mail: chill@gallery.ca</p>
<p>Artistic Bike Racks</p>
<p>Wed, December 16, 2009 2:10:28 PM</p>
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<td width="33" valign="top">From:</td>
<td width="391" valign="top">David Tomlinson &lt;David_Tomlinson@toronto.ca&gt;</p>
<p>View Contact</td>
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<td width="33" valign="top">To:</td>
<td width="391" valign="top">scott.edwards@vancouver.ca</td>
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<td width="33" valign="top">Cc:</td>
<td width="391" valign="top">&#8220;&lt;Phil Sarazen&#8221; &lt;artfulstreetfurniture@rogers.com&gt;; marninorwich@yahoo.ca</td>
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<p>Mr. Edwards</p>
<p>I manage the City of Toronto&#8217;s bicycle parking program. We have been working with Toronto artist Phil Sarazen, since 2004, to install artistic bike parking stands throughout the city. Most of the work on these sculptures has been done by individuals from Toronto&#8217;s street population, in workshops that Phil organizes. His efforts to include the homeless and psychiatric survivors in this project have created a situation which benefits the City in many ways, and also helps some of its more disenfranchised citizens.</p>
<p>Phil would like to assist the City of Vancouver, by running similar workshops to create bike racks in honour of the 2010 Olympics and bike stands that reflect British Columbia&#8217;s cultural history. I&#8217;m writing to you to assure you that we support Phil in this endeavour, and to encourage you to provide whatever support you can.</p>
<p>By way of this e-mail, I would like to introduce you to Phil&#8217;s partner in Vancouver, Marni Norwich. I hope you can find time to meet with Marni. Please don&#8217;t hesitate to contact me if you want to know more about the City of Toronto&#8217;s involvement in Phil&#8217;s projects.</p>
<p>Yours truly</p>
<p>David Tomlinson<br />
Cycling Infrastructure and Programs<br />
Transportation Services<br />
East York Civic Centre<br />
850 Coxwell Avenue<br />
Toronto, ON<br />
M4C 5R1<br />
tel.: 416-392-8400<br />
fax.: 416-392-0071</p>
<p>To Whom it May Concern, my name is Danny Beaton and I am a Turtle Clan Mohawk of Six Nations Reserve. I have been Phil Sarazen best friend since I was about 18 years old and he has been a role model for me during my youth. The National Aboriginal Achievement Awards are giving me the award for environment this year and I am one of 14 native achievers. My life is dedicated to protecting Mother Earth and Phil Sarazen works with me now for over 20 years. Please do everything you can to help him bring environmental awareness to society. Sincerely Danny Beaton www.dannybeaton.ca</p>
<p>Thank You for your Consideration 416 921 0012 office,</p>
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<td width="359" valign="top">Activist Danny Beaton receives the National Aboriginal Achievement Award (NAAA) for protecting Aboriginal communities from environmental destruction</p>
<p>November 24, 2009</p>
<p><strong>Danny Beaton</strong> is one of 14 remarkable Aboriginal Canadians being recognized for their achievements at the <strong>17th Annual National Aboriginal Achievement Awards (NAAA)</strong>, taking place in Regina, Saskatchewan on <strong>Friday,</strong> <strong>March 26, 2010</strong>. Danny will be the recipient of the <em>National Aboriginal Achievement Award (NAAA) for Environment and Natural Resources</em>.</p>
<p><strong>Danny Beaton</strong> is a Turtle Clan Mohawk of Grand River Six Nations Territory. For over 20 years, he has been defending and protecting Mother Earth from environmental destruction. In 1992 he was the recipient of the <strong>Governor General’s Medal</strong> for outstanding contributions to his fellow Canadians. His environmental stewardship has not only impacted Aboriginal communities in Canada, but also around the globe.</p>
<p><strong>Mr. Beaton</strong> has successfully defended great caribou herds in Alaska with <strong>Sarah James</strong>, central to the economy and basic life of the Gwitchen Nation; helped save the sacred remains of the traditional Seminole territories in Florida; and worked with Indigenous people from the Amazon Rainforest to protect their cultures and traditional territories. He has worked intensely with the Northern Cree, Innu, Inuit, Apache and Ojibway to protect their homeland.</p>
<p>In 1990, Mr. Beaton was bestowed the great honour of being invited to join the <strong>Traditional Circle of Indian Elders and Youth</strong> by <strong>Chief Oren Lyons</strong>. This grassroots coalition of spiritual leaders from across North America gathers to maintain sacred ceremonies and traditional council.</p>
<p><strong>Danny Beaton</strong> has worked with all forms of communication with the arts to defend and protect the environment, such as photography, filmmaking, music, writing and teaching, expressing his vision from an Aboriginal perspective. Mr. Beaton received grants from <strong>The Canada Council for the Arts</strong> and the <strong>Ontario Arts Council</strong> to study Traditional Native Flute music at the <strong>Institute of American Indian Arts</strong> in Santa Fe, New Mexico, with Professor <strong>Ed Wapp Sac Fox/Commanche</strong>. He has performed and lectured in Japan, the UK and across the USA, while playing traditional flute, upon request.</p>
<p>With hosts <strong>Tinsel Korey</strong> (<em>Twilight, The Guard</em>) and <strong>Raoul Trujillo</strong> (<em>True Blood, Apocalypto</em>) the <strong>National Aboriginal Achievement Awards (NAAA)</strong> continue the mission of celebrating Aboriginal Canadians who have made a profound positive impact in their communities, across Canada, and worldwide.</p>
<p>Featuring performers including international music icon <strong>Buffy Sainte-Marie</strong>, <strong>Crystal Shawanda</strong>, <strong>Elisapie Isaac</strong>, <strong>Lorne Cardinal</strong>, <strong>Michael Greyeyes</strong> and <strong>Leemai Lafontaine</strong>, the 17<sup>th</sup> annual <strong>National Aboriginal Achievement Awards (NAAA)</strong> will recognize the achievements of the following individuals:</p>
<p><strong>William Commanda, OC</strong> – <em>Lifetime Achievement Award</em></p>
<p><strong>Skawenniio Barnes</strong> – <em>Special Youth Award</em><strong> </strong></p>
<p><strong>Kananginak Pootoogook</strong> – <em>Arts</em></p>
<p><strong>Ellen Melcosky</strong> – <em>Business &amp; Commerce</em></p>
<p><strong>Tom Crane Bear</strong> – <em>Culture, Heritage &amp; Spirituality</em></p>
<p><strong>Dr. Raoul McKay</strong> – <em>Education</em></p>
<p><strong>Danny Beaton</strong> – <em>Environment &amp; Natural Resources</em></p>
<p><strong>Madeleine Kētēskwew Dion Stout</strong>, BN, MA, Ph.D (Hon.) – <em>Health</em></p>
<p><strong>Donald E. Worme,</strong> <strong>QC,</strong> <strong>IPC </strong>– <em>Law &amp; Justice</em></p>
<p><strong>Kenneth Atsenhaienton Deer</strong> – <em>Media &amp; Communications</em></p>
<p><strong>Hon. Eric William Robinson</strong> – <em>Politics</em></p>
<p><strong>Edith Cloutier</strong> – <em>Public Service</em></p>
<p><strong>Monica Pinette</strong> – <em>Sports</em></p>
<p><strong>Doug Henry</strong> – <em>Technology &amp; Trades</em></p>
<p><em> </em></td>
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<p>The <strong>National Aboriginal Achievement Foundation (NAAF)</strong> proudly announces <strong>Global Television</strong> and the <strong>Aboriginal Peoples Television Network (APTN)</strong> as the returning exclusive broadcast partners of the 17th annual <strong>National Aboriginal Achievement Awards (NAAA)</strong>.</p>
<p>“Every year the jury selects an extraordinary group of recipients who reveal such outstanding talent and dedicated service.” said <strong>Roberta Jamieson</strong>, President and CEO of the <strong>National Aboriginal Achievement Foundation (NAAF)</strong>.</p>
<p>Held in Regina, Saskatchewan, the 2010 <strong>National Aboriginal Achievement Awards (NAAA)</strong> focuses on the theme of <em>Potential</em> and, the ability within us all to achieve greatness, despite obstacles.<strong> </strong></p>
<p>The<strong> National Aboriginal Achievement Foundation (NAAF)</strong> is a nationally registered non-profit organization dedicated to raising funds to deliver programs that provide the tools necessary for Aboriginal peoples, especially youth to achieve their potential.</p>
<p>Since 1985 the foundation through its education program has awarded more than $32-million in scholarships and bursaries to more than 8,400 First Nations, Inuit and Métis students nationwide.</p>
<p><strong>NAAA Partners for 2009/2010</strong></p>
<p><strong>Lead Partners</strong></p>
<p><em>CIBC</em></p>
<p><em>Government of Canada</em></p>
<p><strong>Partners</strong></p>
<p><em>Government of Saskatchewan</em></p>
<p><em>Canwest &#8211; Aboriginal Peoples Television Network &#8211; Suncor Energy Foundation &#8211; Air Canada &#8211; Tribal Councils Investment Group of Manitoba Ltd. &#8211; Nexen Inc.</em></p>
<p><em>BP Canada Energy Company &#8211; Fort McKay Group of Companies – Casino Rama – Rio Tinto &#8211; SaskTel – Cameco Corporation &#8211; Government of Nunavut – Government of the Northwest Territories</em></p>
<p><em>City of Regina &#8211; Great-West Life, London Life and Canada Life &#8211; Radisson Plaza Hotel Saskatchewan</em></p>
<p>-30-</p>
<p>Available for Interviews:</p>
<p><strong>Jamie Monastyrski, Director of Communications</strong></p>
<p><strong> </strong></p>
<p>For further information, visit: http://www.naaf.ca</td>
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		<title>Olympic and Paralympics Legacy</title>
		<link>http://philsarazen.com/wordpress/?p=201</link>
		<comments>http://philsarazen.com/wordpress/?p=201#comments</comments>
		<pubDate>Thu, 13 May 2010 17:08:49 +0000</pubDate>
		<dc:creator>Phil Sarazen</dc:creator>
				<category><![CDATA[creative]]></category>

		<guid isPermaLink="false">http://philsarazen.com/wordpress/?p=201</guid>
		<description><![CDATA[Olympic and Paralympics Legacy
The best athletes, trainers, psychologists and doctors came from around the world to Vancouver to compete in the Olympics.  Amongst these people were many who were motivated by a joy of movement. Setting up situations, where the synergy between movement-artists from other countries advances the knowledge base, will reduce obesity and substance.
We [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Olympic and Paralympics Legacy</strong></p>
<p>The best athletes, trainers, psychologists and doctors came from around the world to Vancouver to compete in the Olympics.  Amongst these people were many who were motivated by a joy of movement. Setting up situations, where the synergy between movement-artists from other countries advances the knowledge base, will reduce obesity and substance.</p>
<p>We will facilitate workshops that assists participants learn the joy of movement, and while doing so will create an artistic functional beauty by which to remember the games.</p>
<p>Bike stand commemorating 2008 summer Olympics in Toronto’s Chinatown</p>
<p><strong> </strong></p>
<p><strong>Background</strong></p>
<p>Throughout many cities in North America: Toronto, New York, Des Moines, Louisville, Winnipeg, Ottawa, LA….a new functional art form has emerged: sculptures that serve as bike-stands,  tree-guard-bike-stands.</p>
<p>Sculptures in LA, NY, Louisville</p>
<p><strong>History in Toronto</strong></p>
<p>Over the past 7 years, with the assistance of the art group at Parkdale Activity Recreation Center [PARC], a center for psychiatric survivors, we have placed 50 sculptures on the streets of Toronto. Support has come from 3 BIAs, Toronto Arts Council, the City&#8217;s mural project [the Economic Development Corporation], the Royal Ontario Museum.  The City has developed size safety and functionality guidelines and installs them free of charge on City property.  The majority of sculptures have been fabricated by members of the homeless population as part of a skills training program.</p>
<p>Bike stands in Parkdale</p>
<p><strong> </strong><strong> </strong></p>
<p><strong> </strong>Bike stands at Yonge and Lawrence. The three sculptures to the right designed by grade 5 students.<strong> </strong></p>
<p><strong>The Royal Ontario Museum</strong></p>
<p>Above sculpture is patterned after sculpture in Chinese tomb</p>
<p>William Thorsell, the ROM’s CEO said the City should have “thousands more of these all over town”. He said it was a “liberating of the creativity’ in this City.  See ROM video on bikestandart.net.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>Workshops   Details</strong></p>
<p>At community centers the design workshops will begin with a mind body exercise where participants will explore the physical and mental parameters of various Olympic and Paralympic  sports and try out some of the movements in that sport. The workshops teach them fun with movement, shows them the rewards of a healthy lifestyle.</p>
<p>Photos of the participants will be taken during these workshops.</p>
<p>Participants will use photos of other participants and photos of skilled athletes in the sport that is being studied, as drawing aids so as to create parts of the bike stand sculpture.</p>
<p>For example participants will work to imitate athlete above, photos will be taken of the participants, drawings made from these photos. These drawing will be paced around the diagram of the short track [shown below].</p>
<p>Integrated into the artwork will be some of the cultural and history of the City, for example participants will draw cultural icons to be placed in the center of the short track. The final artwork will be a bike stand sculpture cut out of plates of steel interconnected so that it captures the spirit of the race.</p>
<p>Each sport and each area in the City will be documented with a unique piece of art.</p>
<p>The after school program at the Stathcona Community Center has a Paralympic Athlete Mary Benson and her trainer Shannon McDougall teaching kids cross country skiing. They will be drawing the head and legs of the Chinese dragon-bike stand [above] and each other in skiing poses. The drawing of the participants will be placed on the dragon.</p>
<p>The process will be documented with a media lab managed by Micha Dahan so that the best techniques both in the 1<sup>st</sup> and 2<sup>nd</sup> half hour can be passed on to those in the program as well as physical education and art teachers in other cities. Promotion clips can be used by sponsors from any of the footage taken.</p>
<p>The bike stand sculptures will tap the creativity and experience from all sectors. To date there have two new design concepts developed while in Vancouver that will make this City unique.  We are making the necessary links with staff at the Emily Carr School, tapping the creativity of the people at that institution and learning new skills.</p>
<p>Sculptures will be fabricated as a part of a skills training program with the homeless population. This program will have as part of the 5 hour work day a paid one hour movement workshop with sports trainers, dancers and other movement artists. The first half hour will explore new mind body relationships, the second hour will focus on awareness of one’s total body movement, this half hour is to enable participants to be tuned into potentially dangerous equipment.</p>
<p><strong>Summary</strong></p>
<p>Repetitive defeat leads to passivity, apathy, obesity and substance abuse. Our goal is to link art and sport [movement] in a way that provides an enjoyable situation for all participants,<strong> </strong></p>
<p><strong> </strong></p>
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		<title>Kensington Market Bike Stand Scupture</title>
		<link>http://philsarazen.com/wordpress/?p=207</link>
		<comments>http://philsarazen.com/wordpress/?p=207#comments</comments>
		<pubDate>Thu, 13 May 2010 16:25:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Hey Phil:-) Put some text here!!! Describe the project please.
]]></description>
			<content:encoded><![CDATA[<div id="attachment_208" class="wp-caption aligncenter" style="width: 310px"><a rel="attachment wp-att-208" href="http://philsarazen.com/wordpress/?attachment_id=208"><img class="size-medium wp-image-208" title="kensington2010-5b" src="http://philsarazen.com/wordpress/wp-content/uploads/2010/05/kensington2010-5b-300x136.jpg" alt="Kensington Market Sculptural Bike Lock Up" width="300" height="136" /></a><p class="wp-caption-text">Sculptural Bike Lock Up for Kensington Market, April 2010</p></div>
<p>Hey Phil:-) Put some text here!!! Describe the project please.</p>
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		<title>Beautify the City</title>
		<link>http://philsarazen.com/wordpress/?p=199</link>
		<comments>http://philsarazen.com/wordpress/?p=199#comments</comments>
		<pubDate>Fri, 02 Apr 2010 03:16:36 +0000</pubDate>
		<dc:creator>Phil Sarazen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://philsarazen.com/wordpress/?p=199</guid>
		<description><![CDATA[Beautify the City – Promote Bicycling
We propose that all bicycle retail outlets be provided with at least one bicycle rack with First Nations art.
Opportunity
Vancouver is has a magnificant First Nations cultural heritage.  The Totem Pole is unique to the West Coast and provides for a very functional and cost effective bike stand if an I-beam or recycled [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Beautify the City – Promote Bicycling</strong></p>
<p>We propose that all bicycle retail outlets be provided with at least one bicycle rack with First Nations art.</p>
<p><strong>Opportunity</strong></p>
<p>Vancouver is has a magnificant First Nations cultural heritage.  The Totem Pole is unique to the West Coast and provides for a very functional and cost effective bike stand if an I-beam or recycled rubber is used. If bicycle retailers across Vancouver used this style of bike stand it would be an innovative and effective promotion tool.</p>
<p>We propose retail stores cover ¼ of the costs, manufacturers ¾ of the cost, and the City installs them free of charge.  Manufacturer, the City’s and store owners who finance the bike stand sculptures will have their name engraved in the side of the sculpture with the name of the artist.</p>
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		<title>main info</title>
		<link>http://philsarazen.com/wordpress/?p=15</link>
		<comments>http://philsarazen.com/wordpress/?p=15#comments</comments>
		<pubDate>Fri, 31 Oct 2008 19:26:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Functional Art]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[creative]]></category>
		<category><![CDATA[cycling]]></category>
		<category><![CDATA[environmental]]></category>
		<category><![CDATA[form]]></category>
		<category><![CDATA[function]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[urban]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Bike]]></category>
		<category><![CDATA[Bike Lockup]]></category>
		<category><![CDATA[Phil Serazin]]></category>

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		<description><![CDATA[

Bike Stand Sculptures
Through creation of bike-rack sculptures, we bring artwork to the street that is inviting, stirs the imagination and enables residents to take ownership of their communities. In addition to bike racks, these works of art can also serve as tree guards and plant holders. Our plan is that each year one or more [...]]]></description>
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<p>Bike Stand Sculptures</p>
<p>Through creation of bike-rack sculptures, we bring artwork to the street that is inviting, stirs the imagination and enables residents to take ownership of their communities. In addition to bike racks, these works of art can also serve as tree guards and plant holders. Our plan is that each year one or more areas of the city will engage local artists in a creative makeover that brings the spirit of the businesses and the character of the neighborhood to its sidewalks.</p>
<p>The community design process we have conceived addresses the creation of bike-rack sculptures in a way that is both unified and reflective of Toronto’s multicultural diversity. Each community, such as Little Italy, China Town or the Music District on Queen Street West, will have designs that reflect the spirit of that particular community, yet all of the sculptures will conform to the functional, structural, size and safety conditions laid out by the city’s guidelines, creating a harmonized style throughout the city.</p>
<p>Pictured above are bike-rack sculptures that were created from drawings done by members of the art group at the Parkdale Activity Recreation Center (PARC), a drop-in for psychiatric survivors and street people. The fabrication was done at The Meeting Place (St. Christopher House), a drop-in centre at the corner of Bathurst and Queen Streets. These bike-rack sculptures were developed in consultation with the City&#8217;s Pedestrian and Cycling Infrastructure of the Transportation Branch.</p>
<p>For the past four years we received financial support for the construction of bike-rack sculptures from the Toronto Arts Council, the Toronto Economic Development Committee, the Parkdale Business Improvement Area (BIA), the Parkdale Liberty Economic Development Corporation, the Yonge Lawrence Village BIA, PARC, the Meeting Place (St. Christopher House) and the Royal Ontario Museum.</p>
<p>Artistic Concept</p>
<p>If one studies the times and places in the world where people’s creative energies have been at their best, one notices that it is when different cultures, social strata and professions fluently mixed to a greater extent than they did at other times and places. As such, if a city wishes to maximize its potential, it stands to reason that the public places that people regularly frequent should be alive with the diverse expression from all points of view and walks of life.</p>
<p>There is also reason to believe that much of the mental disease in the society and the attraction to drugs or compulsion toward drug use is due to people’s inability to communicate their needs and provide creative input to the community.</p>
<p>The bike-rack/tree-guard sculptures address both of these concerns. Artists from all sectors of the society will contribute designs on an individual and collaborative basis. The design needs of this project will multi-task and be diverse in scope, providing great opportunities and challenges to all sectors of the arts community, including: technical, financial, community connection, artistic integrity, innovation and if they are working with designs from younger artists.</p>
<p>Presently, a large portion of the design and fabrication work is being completed by street populations from The Meeting Place and the Christie Ossington Neighbourhood Centre. And we are presently making arrangements with Seaton House to establish a workshop at their location. This has given the individuals who make use of these facilities the opportunity to contribute to the betterment of their neighbourhoods and the city as a whole, and subsequently their moral has significantly improved as a result of their contributions.</p>
<p>Art allows people to move beyond social, psychological, philosophical and scientific limitations. The more diverse the social strata that engages in creating artwork, the more we are able to expand our horizons. Art is a vehicle that allows people to gently break out of the box and explore other perspectives. Art not only assists in improving social harmony, but also expands innovation in industry, business and science.</p>
<p>Artistic Sourcing  - Community Participation</p>
<p>So far, with very few exceptions, the designs have come from the psychiatric survivor community, street populations and students. This work will be shown to the student populations and arts communities in Toronto so they can get involved in the project.</p>
<p>At PARC, there is a workshop once a week on bike-rack and tree-guard design. The workshop is a place where artists share ideas and work on joint projects.</p>
<p>The project is not about a few artists getting their name into the limelight, but about helping many others to engage in the creative process.</p>
<p>Functionality</p>
<p>These bike-rack sculptures are far more theft-proof than the existing post and ring system. In addition, when bicycles are locked to them, they will not twist sideways as easily, reducing impediments for pedestrians.</p>
<p>Tree Guards and Plant Holders</p>
<p>Dante Larcade, owner of the Roseland Gallery and past president of the Queen Street West BIA, suggested that combining trees and plants with bike-racks would be a more efficient use of space. Trees have huge environmental benefits along with the use of bicycles. Combining the two wherever possible would be a statement for both bicycling and the environment.</p>
<p>To date, the 49 bike racks produced. William Thorsell, CEO of the Royal Ontario Museum said there should be thousands of these bike-rack sculptures in Toronto. Toronto is no arranging to expand the placement of artistic bike stands throughout the City</p>
<p>Sculptures at the Royal Ontario Museum</p>
<p>Proposal</p>
<p>Our project solicits artwork from schools, universities, colleges and the arts community. Grade 5 students at a local school did many of the designs below. Round, 6” stainless plagues, indicating the name of the artist and the donor are in the ground in front of the Yonge Lawrence Village bike stands [engraved lettering].</p>
<p>Resale &#8211; Renewal</p>
<p>Some communities may auction off the artwork to local residents so that there can be a revitalization where appropriate and a continued development of the art form. The money raised in an auction could fund new street furniture and provide revenue to the designing artist.</p>
<p>Tourism</p>
<p>This type of diverse, community participation in the design of street furniture will be a first anywhere in North America. It will increase Toronto’s ability to attract international bike racing, community art conferences and environmental events.</p>
<p>Public Education About The Arts</p>
<p>Long-term arts-based community projects will significantly develop the level of art appreciation and understanding in the city and in all communities. Like the Moose project, the bike-rack and tree-guard sculptures will be the talk of the town. Because new artwork can be added every year, the discussion and understanding of the role of art will continually develop.</p>
<p>Corporate Participation</p>
<p>Retailers will be able to reflect and extend the spirit of their enterprise onto the sidewalk.</p>
<p>The bike-rack was inspired by an antique furniture business in Parkdale.</p>
<p>Competitions in the schools to design creative sculptures for businesses will assist in the development of good designers and architects, and stimulate Toronto’s design businesses. It will also link the community to future business development in Toronto.</p>
<p>Art touches almost everything we do: the cars we drive, the clothes we wear, the look of a restaurant meal, the bed we sleep in. Art combined with functionality is evident in every product. Our bike-rack sculpture project would provide students the opportunity to marry creativity with practicality.</p>
<p>Worthwhile Projects</p>
<p>This sculpture supports blood donation.</p>
<p><img class="aligncenter size-full wp-image-111" title="blood_donar" src="http://philsarazen.com/wordpress/wp-content/uploads/2008/10/blood_donar.jpg" alt="blood_donar" width="340" height="431" /></p>
<p>Themes</p>
<p>Different retail and industry areas may choose a theme. For example, the Yorkville area could use their bike racks and tree guards to promote the movie industry.</p>
<p>Business Improvement</p>
<p>When placed on City property, the sculptures should evoke and the spirit of all sectors of the community.</p>
<p>Though the artwork, businesses and institutions can embellish the spirit of their organizations in imaginative ways. Yes, it will take more work than just replicating their logo, but through the process of creating the artwork, possibly with other community members, the business or institution will expand what they perceive their market to be. This process will give them ideas for new products, and/or on updating existing ones. Through the process of creating the sculptures, businesses will have the means to reach out and connect with their communities.</p>
<p>Funding Opportunities</p>
<p>The “Moose In The City” project generated a significant amount of money for various charities, as well as paid artists for their creations and the cost for their materials. Following in the footsteps of this very successful project, the creation of the bike-rack/tree-guard sculptures should be similarly successful.</p>
<p>Corporate giants such as pharmaceutical companies may be willing to make donations to hospitals for the opportunity of having their company name engraved on a donor plaque similar to the ones placed in the sidewalk concrete by the Yonge Lawrence Village BIA. They may also be willing to purchase one or more bike-rack sculptures for placement their offices and factories. Similarly, companies known for their support of athletic activities may fund bike-rack sculptures with sports-related themes that are laced in front of the Rogers and the Air Canada Centres, as well as community sports facilities.</p>
<p>Companies like Microsoft will be encouraged to support sculptures that can be placed in front of libraries and schools. McDonald&#8217;s, Tim Horton&#8217;s, Second Cup, and many other chains with corporate goals that can be met with this style of community project will also be potentially interested. Entertainment companies and individual celebrities could fund bike racks and tree guards at many of the entertainment sites in the city.</p>
<p>Selection Process</p>
<p>Selection teams will be made up of city officials, a local artist, a member of the business community and someone connected to the manufacture of the sculptures. Selection will be based on: safety, functionality, artistic merit, promotional value, cost, structural strength, maintenance needs, durability-longevity, manufacturing and installation constraints.</p>
<p>Prior to the final selection, a short list will be created. Some members of the selection team along with some of the teachers in training will meet with artists. Some sculptures may require minor changes in functionality and structural integrity.</p>
<p>After meeting with the artists, a final selection of sculptures will be made. These sculptures will then be categorized with regard to theme (i.e. music, sports, education, etc.) and posted on our web site. Businesses willing to purchase sculptures for the purpose of placing them in front of their locations will have the option of making bids on the sculptures. Artists would be able to post a price, and an estimate will be made of the manufacturing cost of the sculpture. Corporate sponsors will subsidize the cost of the sculptures.</p>
<p>Special competitions could be set up for sculptures slated for prominent places like the waterfront, hospitals, City Hall, Provincial Legislature, CN Tower, Rogers Center and the Air Canada Center. Sculptures in strategic places could tie in with professional or international amateur sports events, allowing advertising and promotional opportunities for sponsors.</p>
<p>Corporations like the Bay, Sears, Tim Horton&#8217;s, etc., may wish to set up their own competitions around particular themes and describe what they would like their sculptures to look like. They could then place this description and any other design requirements on the website, along with what they are willing to pay for design and manufacturing expense. On private property, businesses will not be bound by size limitations.</p>
<p>Some companies may want sculptures for openings and events. They can use the web site for this purpose and give notice to all of the artists who have submitted designs in the past.</p>
<p>Cost Estimates per Bike-Rack Sculpture</p>
<p>Design Award                         250.00</p>
<p>AutoCAD and Modifications<span> </span>150.00</p>
<p>Steel and Cutting<span> </span>650.00</p>
<p>Welding and Grinding<span> </span>300.00</p>
<p>Galvanization and Colourization<span> </span>130.00</p>
<p>Transportation<span> </span>40.00</p>
<p>Sub-total without Inlays<span> </span>1,520.00</p>
<p>Sub-total with Inlays<span> </span>1,520.00 + $40 to 100 per Inlay</p>
<p>6” stainless plaque                                                             200</p>
<p>Management Costs per Sculpture<span> </span>256.00 *</p>
<p>Grand Total without inlays<span> </span>$1,976.00 plus taxes</p>
<p>Proposal for musical sculptures</p>
<p>Character of sculptures:</p>
<p>Type 1: Sculptures will be playable like the musical tree below.  The wheels ring like bells. The tree, presently on Yonge St. north of Lawrence, could be designed so that the wheels/bells are toned to a western musical scale or to an eastern tonality.</p>
<p>Copyright ©2007 Phil Sarazen</p>
<p>Type 2:</p>
<p>Sculptures built with electronic pads similar to electronic drums made by Yamaha, several sculptures have beens designed four years ago.See below.</p>
<p>These sculprures could be solar powered similar to the parking meters, a battery could be charged and a keyed swich could activate these sculptures. During special times, eg. Jazz festivals etc. the entire street would be alive with music.</p>
<p>Type 3: Other sculptures could be visual as the three below installed in Parkdale and Yonge and Lawrwnce:</p>
<p>Ontario Collage of Art and Toronto School of Art are in this area and may be interested in participating in design work. I have designed 20  plus sculptures with a musical design that could be modified or used to simulate entirely new concepts. Royal Conservatory ofr Music could be ewmpoyed to make sure the sculptures conform to the best musicality.</p>
<p>Queen St., west of City Hall is a very important tourist sector in Toronto and could be worked in well with a bicycle promotion.</p>
<p>Beautify the Waterfront</p>
<p>Water – Health &#8211; Green</p>
<p>Bike stand sculptures will beautify the waterfront, highlight artwork from our multicultural community, support a healthy lifestyle, support the environment and involve youth in our community.</p>
<p>The project involves building bicycle stands: The theme for the bicycle stands will be water, health, green. We are offering two styles of bicycle stands.</p>
<p>The first, typical of the bike stands we placed at the ROM and designs we developed for the waterfront.</p>
<p>Over the years we have developed many aquatic designs</p>
<p>Copywright Phil Sarazen  2005</p>
<p>So that the creative process is shared along this importanrt area of the City, we will involve students in schools, instructing them in the design process. Sculptures from the students will be placed along the waterfront and on private property. Funding for these sculptures come from individuals, businesses, builders, apartment owners and condo associations. Plaques will show artist, donor and, if the donor wishes, the sculpture could be a tribute to a person or wish&#8230;</p>
<p>The second style of bicycle stand will be multiple stands for private property.</p>
<p>Copywright © Phil Sarazen</p>
<p>The single post structure without inlays is $2000. Bike stands that supporty  multiple bicycles start at $3000.</p>
<p>Phil Sarazen 416 858-1189</p></div>
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